Dream

SynopsisEin zum Teil animierter Film, der auf einer Serie von Kaltnadelradierungen - „Movements“ und „Combats“ - des australischen Künstlers Charles Lloyd zum Thema gesellschaftlicher Aggression basiert. Arthur Cantrills Tonkomposition ist ein Mix aus Percussion, verfremdetem Klavierspiel (Zupfen und Beklopfen der Saiten und des Resonanzbodens, gespielt von Arthur Cantrill selbst) und Sound-Effekten, darunter Atemgeräusche, sowie elektronisch modifiziertem Kinderlachen, das auf einem Nagra-Tonband aufgenommen wurde und dann auf 16mm-Magnetbänder übertragen wurde, die anschließend in einem professionellen Tonstudio unter stellenweisem Hinzufügen von Hall abgemischt und fertig gestellt wurden.

RegieArthur Cantrill    → Biografie anzeigen   ← Biografie schließen

BiografieArthur Cantrill, born Sydney, Australia, 1938, has been making 16mm films with Corinne Cantrill since 1960. At first films for children and documentaries on art, interspersed with short experimental films. After working in London for four years, where Arthur Cantrill was a film editor at Halas and Batchelor Cartoon Films and then at BBCTV current affairs and documentary, they returned to Australia in 1969 to take up a Fellowship in the Creative Arts at the Australian National University in Canberra during which they made several films. From that time they have worked solely in film as a medium combining kinetic art with formal cinematic concerns and experimental sound composition, and also film-performance.

Corinne Cantrill    → Biografie anzeigen   ← Biografie schließen

BiografieCorinne Cantrill, born Sydney, Australia, 1928, has been making 16mm films with Arthur Cantrill since 1960. At first films for children and documentaries on art, interspersed with short experimental films. After working in London for four years (where Arthur Cantrill was a film editor at Halas and Batchelor Cartoon Films and then at BBCTV current affairs and documentary), they returned to Australia in 1969 to take up a Fellowship in the Creative Arts at the Australian National University in Canberra during which they made several films financed by ANU, the main work being the feature-length Harry Hooton. From that time they have worked solely in film as a medium combining kinetic art with formal cinematic concerns and experimental sound composition, and also film-performance.

LandAustralien

Jahr1966

SpracheKein Dialog