Bondage

SynopsisLangsam beginnt sich die erste Figur in extremen, verzweifelt wahnsinnigen Regungen zu bewegen. Die Sprache der zweiten Figur, ein Mann vom Hals bis zu den Füßen in Leder gekleidet, zeugt von keiner bestimmten Ordnung oder Rationalität. Tiraden über seine Identität, seine falsche Identität, und deren Ermächtigung, und darüber, wie er der zweite Klon des Mannes in Leder sei, über dessen Virilität, oder dessen falsche und vermutete Manneskraft. Seine Position ist unbeweglich, aber in Juxtaposition, zuweilen mit derjenigen der Bondagefigur.

RegieJohn Edward Heys    → Biografie anzeigen   ← Biografie schließen

BiografieJohn Edward Heys was born, raised and educated in the Garden State of New Jersey. Upon graduation, he moved to Miami Beach, Florida, residing with three aunts until it became so oppressive, combined with his loathing of Miami and her environs, that he fled to New York City. In 1969 he founded the first bi-weekly GLBTG newspaper called Gay Power in America. After editing 24 issues for a year, he decided politics was no longer his primary interest, and fell in with the hoi poloi, the underground, remnants of the avant garde, and in general the venerable old Lower East Side art scene and began his acting career. He credits the playright Charles Ludlam to a great degree for bringing his talents out, along with many other luminaries including Bill Vehr, Ethyl Eichelberger, H.M. Koutoukis and Ellen Stewart, as well as the photographer Peter Hujar for guiding him quite often when he was lost. As well he has created many one man performance pieces. John Heys has made to date 11 films , and now considers himself primarily a video-filmmaker. He resides in Berlin and a 13century Baroque Cloister directly on the border to Poland.

LandDeutschland

SpracheEnglisch